Since 2004, Jan Philip Schulze has been Professor for “Liedgestaltung” at the Music Conservatory in Hannover.There are over 1,000 works in the collection in Volume 5 of the Flute sheet music archive.
Schulze is also interested in contemporary music, and has, for example recorded all of Hans Werner Henze’s Works for Piano, as well as given premières of concertos by Christoph Staude (with the Munich Philharmonic), Dror Feiler (with the Bavarian Radio Symphony Orchestra) and Johannes Schöllhorn (with the WDR Symphony Orchestra). He began his varied international career by winning awards at competitions in Italy, Spain and South Africa.Īs a lied accompanist he has regularly given concerts with Juliane Banse, Annette Dasch, Rachel Harnisch, Dietrich Henschel, Jonas Kaufmann and Violeta Urmana performing in the Berlin Philharmonic Hall, the London Wigmore Hall, the Salle Pleyel in Paris, the Auditorio Nacional in Madrid, in Tokyo, at La Scala in Milan, as well as at the festivals in Lucerne, Salzburg, Edinburgh, Munich and Schwarzenberg. Jan Philip Schulze received his piano education at the Musikhochschule in Munich and at the Tschaikovsky Conservatory in Moscow. Publication of “Clavier Sonatas and Free Fantasies along with Divers Rondos for Experts and Amateurs.” Oratorio “Die Israeliten in der Wüste” (“The Israelites in the Desert”). Composes liturgical music (cantatas) as well as instrumental works (symphonies, concerti, chamber music), large vocal works (Passion settings and oratorios), and occasional compositions for the city’s musical establishment. He succeeds Telemann as music director and cantor at the Johanneum Latin school in Hamburg. Publication of “Six Sonatas for Keyboard with Varied Reprises.” Publication of “Professor Gellert’s Sacred Odes and Songs” (Second collection in 1764) Treatise: “Essay on the True Art of Playing Keyboard Instruments” (First part second part in 1762) Harpsichordist in Berlin at the court of Frederick II. Participates in the Collegium Musicum.Ĭontinuation of law studies in Frankfurt an der Oder. Musical education from his father attends the Lutheran Latin school in Köthen, the St. 1714īorn in Weimar on March 8 second surviving son from Johann Sebastian Bach’s first marriage. His musical idiom is characterized by a “speaking” disposition and by moments of surprise. His self-image as a composer is in line with the aesthetic of the genius. He is primarily famous for his music for keyboard instruments and is regarded as the most important composer of sonatas (approximately 150) in the mid eighteenth century.
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